This is probably the favourite pantomime story, which raises high expectations in its audiences. The magic trick is to blend the familiar, much-loved rags-to-riches story with enough variations to spice it up while never smothering its essence. Andrew Pollard’s script in Martin Berry’s production manages to achieve just that balance.
The Queen’s Theatre tradition of using actor-musicians comes into its own – Natasha Lewis’ Cinderella must be the only trombone-playing one in this year’s national crop. Jonathan Charles’ Dandini is a wandering fiddle-player, taken on by Jamie Noar’s Prince Charming, desperately trying to disentangle himself from his father’s plans for his future.
No Baron Hardup in this version. Rather, we have his spiteful widow (Georgina Field) keeping her two chip-off-the-matriachal-block daughters Miley (Simon Pontin) and Kylie (Carl Patrick) very much under her sharp-nailed thumb. No wonder the household is reduced to a single servant, Buttons (Alex Tomkins), who only stays because of Cinderella.
Mark Walters has designed a deceptively sumptuous set and costumes in a vaguely late 18th century style. Joshua Good man is the hard-working musical director, joined in the pit by Al Twist and Sarah Workman, and the on-stage cast. Field has a commanding way with a saxaphone, even when Liz Marsh’s choreography keeps her feet fully employed.
That all-important wow! factor comes also from Etisyai Philip’s Fairy Godmother, who manipulates the whole story, including Cinderella’s swan-drawn carriage as she leaves for the ball. Sherry Coenen’s lighting adds to the magical impression. Highlights include a well-handled rejection scene for Buttons and Cinderella, to which both of them bring the right degree of sincerity.
Well-loved gag scenes also make their appearance, including the endless stocking and false foot in the slipper trying-on episode, Cinderella being made to tear up her coveted invitation to the ball (by her step-mother, rather than step-sisters here) and locking her in a chest (even less comfortable than the usual cellar) in the attempt to hide her from her questing prince.