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The
Stage
Wednesday 2 September
review by Mary Redman
Richard O’Brien’s
musical team moves this show from decadent American B movies to
the cool jazz and mean streets of pulp fiction’s Los Angeles.
Rodney Ford’s
ingeniously contrived multi-level and multi-purpose sets create
tenements covered with printed pages of the original novel, topped
off with palm trees. All crowned by Barry Robinson’s excellent
band, tootling away on the roof to accompany the songs.
The weird Arkwrights,
owners of a strange lonely hearts club, are played by Gay Soper,
who has a surprise show-stopper song and Richard O’Brien.
Siubhan Harrison’s
eye-catchingly memorable Sherry Mendez seduces Jonathan Wrather’s
detective hero Al Wheeler, as he performs A Man of Steel while he
strips. This wide-eyed, cool and attractive leading man knows exactly
how to deliver a song.
Sparkling Emma-Jayne Appleyard’s gazelle-like professional
stripper Deadpan Dolores knows she really does it because I Love
the Sense of Power. Jack Edwards is a scene-stealer as creepy, cackling
flower shop owner Harvey Stern, wringing all the tremulous schmaltz
from big ballads Hearts and Flowers and I Confess. The old O’Brien
touch is still there. What starts as good, clean fun suddenly becomes
thoroughly enjoyable naughtiness.
Matthew Eagland’s
great lighting underlines the drama as director Bob Carlton emphasises
tongue in cheek, deadpan dialogue, loaded with irony. A cartoonish
look to the perpetual twists and turns of the plot includes a Hockney-blue
pool with two synchronised swimming cuties. The premiere is entertaining,
naughty fun - what’s to stop it going to the West End?
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