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the queen's theatre,
station lane
1953 – 1975
The
original Queen’s Theatre was fashioned from a derelict building
in Station Lane, Hornchurch, which had been a cinema from 1913 –
1934 and a storage of furniture for bombed buildings during World War
II.
In 1948 it was
purchased by Hornchurch Urban District Council who, with great flair and
civic imagination, established a small theatre with seating for 379 patrons
in a raked auditorium. The theatre was officially opened by Sir Ralph
Richardson on 21 September 1953 with a production of Philip King’s
See How They Run.
The inaugural Artistic Director was renown actor and director Stuart Burge,
with Anthony Bavage as Administrator, Jean Love as Designer and Harold
Brooks as Master Carpenter.
The small proscenium
stage, over 22 years, presented over 400 plays. The theatre bar was formerly
the projection room of the cinema, there was no fly tower, no paint frame
in the workshop and the dressing rooms were so small that camaraderie
became essential as there wasn’t enough room to have a quarrel!
But despite
these conditions, or possibly because of them, the Queen’s Theatre
was a nursery of talented artists, not only of actors but also of directors
and designers, a remarkable number of whom became well-known figures in
theatre and television.
From
the very beginning, the Queen’s Theatre was running a “repertory”
company, named the Queen’s Players, a testing experience for company
and audience alike. The company was rehearsing the next play by day and
performing the current piece in the evening. There were no “stars”,
but rather a company of first rate and experienced actors. As time went
on, the audience found additional pleasure in seeing these familiar actors
in a series of contrasting parts and this is still true today!
Many of the
Queen’s Players left Hornchurch to become household names in theatre
(Joan Plowright, Peggy Ashcroft, Timothy West), television (Prunella
Scales, Nigel Hawthorne,
Stephanie Cole,
Graham Crowden, Frank
Thornton, Wilfred Brambell), cinema (Anthony Hopkins, Bernard
Cribbins, Liz Fraser), radio (Brian
Hewlett, Glyn Houston, Gwen Watford, James
Grout) and even politics’ (Glenda
Jackson).
Also in 1953
an Amateur Dramatic Society was formed by the late Errol Pryce Rees. With
the opening of the Queen’s Theatre, the membership decided to widen
their policy and re-constitute the society as the Queen’s Theatre
Club, dedicated to supporting the professional theatre in every possible
way.
If you were involved
with the Queen's Theatre, Station Lane in any way between 1953 and 1975
we would love to hear from you. Please contact us with any information
that you feel is relevant and usable in this online archive.
Please email archive@queens-theatre.co.uk
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